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How I Became A Multimillionaire In Nigeria – Hadiza Gabon

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Hadiza Gabon

 

 

Hadiza Aliyu Gabon is 32-years-old. She was born on 19th June 1989 in Libreville the Capital of Gabon. She obtained a Diploma in French from Ecol de Francaise Gabonese in Gabon a Higher Institution based in Gabon Republic.

After obtaining her diploma in French in 2006, she decided to come to Nigeria, Kaduna in particular. In 2007, her intention was to further her studies and become either a diplomat or an international model, but when she came to Kaduna in 2007 to stay with her sister that is married she developed an interest in acting, but at that time, she could not speak either Hausa or English.

 

Also, on enquiries, she was told of how corrupt the Hausa based Kannywood industry is, especially if she wants to make it in acting, she must be prepared to compromise her body. This means directors or producers will take advantage of her before giving her a role in their films, this has made her a bit skeptical about joining the industry from the beginning. If she was to continue with her education and later take up a job either in a foreign affairs ministry or in modelling, she would need money to achieve these desire.

KannyWood Actress Wants Commit Suicide

Later, she decided to approach the King of Kannywood Ali Nuhu to assist her to join Kannywood so that she can raise money and set up an NGO where she can help the less privileged in the society considering the fact that she too came from a poor background.

 

Hadiza Aliyu Gabon according to those who relate with her very closely, is very obedient, hardworking, deeply religious, very beautiful, and she can operate freely in any environment. Since her arrival in Nigeria in 2006, she has become successful that today she is the envy of other actresses in the industry. In fact, you will never hear Hadiza Gabon involve in crisis except for her open quarrel with Amina Amal 3 years ago that will tarnish her image, though there are speculations about her relationship with some successful actors in Kannywood yet, you cannot mention a single person that will say he has ever taken this beautiful actress to bed though some close to her have a different opinion.

 

However, recently she had a serious quarrel with Nafisa Abdullahi another beautiful Kannywood actress. In fact, the Kano chapter of the Motion Picture Practitioners Association of Nigeria (MOPPAN) had to intervene to settle the rift which nearly pulled down the industry. Some stakeholders of the industry wanted both of them expelled, but this will affect the industry because one of its prominent actress Rahama Sadau is already on expulsion.

Nobody can tell what actually led to the quarrel, some are saying Nafisa Abdullahi is jealous of Hadiza Gabon’s close working relationship with Adam Zango who is Nafisa Abdullahi’s longtime boyfriend, while others are saying they fought because of an issue that cannot be reported in the media. But whatever is the case, Gabon who was the first to win Kwankwasiyya best actress award, an award also from AMMA and other organizations, is today an ambassador with MTN and other multi-national companies.

Recently, she set up a multi-million naira boutique on Waff Road, Kaduna opposite Benue Plaza. She also bought a House in Kano and Kaduna, she has chains of cars and a very fat bank account according to those close to her. Her ultimate desire now is to settle down as a married woman and set up an NGO that she will use to assist widows, orphans, the less privileged, and to also be organizing forums that will educate women on how to be successful housewives.

Hadiza Aliyu Gabon spoke with Neptune Prime’s correspondent recently in Kano, Saleh Inuwa in which she spoke on many issues including using film to unite African countries. How she suffered before she made it in life, marriage, challenges as a single beautiful lady that is already successful in a foreign country, those she admired in life, in Kannywood, in politics, in modelling, in academia and in Islamic Jurisprudence.

EXCERPTS OF THE INTERVIEW

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Neptune Prime: When you came to Nigeria in 2007 after completing your diploma from a Higher Institution in the Gabon Republic, how did you relate with Nigerians since, at that time, you don’t speak both English or Hausa?

Hadiza: First, when I came, to stay with my sister in Kaduna, already I had a diploma in French which you rightly mentioned, I did not come here to waste my precious life, as such, I contemplated continuing with my studies up to degree level but I discovered that only a few institutions here offered French Courses. I have this desire to set up an NGO and help the less privileged especially Gabonese Nationale that are staying in Nigeria that are poor. Basically, I want to be a diplomat and an ambassador of my country, but I had financial limitation I, therefore, decided to join Kannywood to raise money and establish myself as a businesswoman then get married and settle down permanently in Nigeria.

NP: As I speak to you, you speak both Hausa and English fluently, how did that happen, did you engage people to teach you how to speak English and Hausa?

Hadiza: Well, honestly I did not have it easy, but because I also want to act in Kannywood in which I must speak Hausa fluently because there are some words or terminologies in film script or interpretation that one can find it difficult to adopt if your Hausa is not good, so I went to Kano and stayed briefly with H.R.B the popular Kano base film producing company learning Hausa. I also appeared in films from time to time but I did not make any impact and so I left. Later Ali Nuhu assisted me and linked me with Yakubu Lere the Chief Executive Officer of Lerawa Films then in 2010, he featured me in his famous and popular film “WASILA”, before then, in 2008, Ishaq Sidi Ishaq gave me a role in a film called “ARTABU”, I featured alongside popular actors and actresses but I faced a lot of challenges even though I did my best not to be intimidated.

NP: Today, you are the face of MTN, you are also doing commercials for other companies, and you are equally one of the sought after actresses in Kannywood, you are also beautiful by all standard, did you zip down for you to be successful?

Hadiza: Well, today I can mention four to five films that made me not only a household name, but that has also fetched me a fortune. First is “BABBAN ZAURE” that film as far as I am concerned is still my best film some people were not happy when I was given the lead role in that film then, “BASAJA”, “GWASKA”, “YAR MAYE” and “MIJIN BIZA”, these films are very successful in the market that has also given me the financial resources to also invest in other films. I am very proud of my role in “YAR MAYE” and “BASAJA” where I was given the task to arrest an international fraudster a role played by Adamu A. Zango. The film took us to Niger and Ghana and other countries. As we speak, by the grace of God, I perform lesser Hajj (Ummrah) severally, I also performed Hajj, I have where I can call my own, I mean my own house, I have good cars to ride, I have a very big boutique on Waff Road, Kaduna. My prayer now is to get married and settle down and have children because, as a 32-year-old woman, I am not growing younger.

NP: Do you have enemies in Kannywood, because recently, you had a serious problem with Nafisa Abdullahi and it took officers of MOPPAN Kano Chapter to settle the two of you, what was the genesis of your fight?

Hadiza: Yes, we had a misunderstanding, with my sister Nafisa Abdullahi but we have settled our differences and we are now best of friends. As for enemies, Hadiza Aliyu Gabon is like holy water, I don’t have enemies, in fact, as a Muslim, I am not supposed to have enemies which is why I refuse to be in any relationship in Kannywood. Though you will be hearing stories, I have the desire to continue producing films even after I settled down as a married woman. Already I have businesses here and there, but most importantly, I want to thank Nigerians for accepting me to be one of them and today, some of them love my films more than even actresses that are from Nigeria. I also mind my business not to embarrass my country, because I am supposed to be an ambassador to my Country in Nigeria. Kannywood today is a very big industry that everybody can come and make his own impact, on the issue of sexual harassment, no lady can be sexually harassed if she is not interested in the first place, we are in a civilized society, nobody will harass you if you did not give the sign that you are ready to play ball.

NP: Who do you admire most in Kannywood?

Hadiza: If you are talking of those I admire their acting skills, honestly they are many. Initially, I prefer to always mention Aminu Sherrif Momoh, but over time, I discovered that we have a lot of talented actors and actresses in Kannywood. Let me mention some and those that will not be able to mention should know that I also like their acting skills, so to mention a few they include: Aminu Sherrif Momoh, Ali Nuhu, Adam A. Zango, Sadiq Ahmad, Nuhu Abdullahi, Sadiq Sani Sadiq, Ibrahim Mai Shunku and many others. On the side of female actresses, I admire Hadiza Aliyu Gabon laughter, that is my humble self, Rahama Hassan though she is married now, Mansura Isah who is also married, Halima Atete, Nafisa Abdullahi, Fati Washa, Jamila Nagudu, Hafsat Idris and many others that one will not have time to mention all of them.

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Why I want To Rewrite Kannywood’s Playbook – Dan Hausa

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Kamilu Danhausa

 

By Saif Ibrahim, Kano

Who is Dan Hausa?

I am Kamilu Ibrahim born 31 years ago, but most people know me as Dan Hausa. I was born in Fagge, Kano State, and from the very beginning I knew I wanted to tell stories that reflect the realities of my people. I trained at the High Definition Film Academy in Abuja, SAE Institute, and also took part in the U.S. Embassy’s Filmmaking for Impact program. I join the fikm making industry and started directing in 2017 because I wanted full control over how my stories are told.

Can you tell us a bit about yourself and your journey into film directing?

My journey began with a love for storytelling—I started as a scriptwriter, then worked closely with experienced filmmakers before directing my first film. Over the years, I’ve learned that directing isn’t just about cameras and lights, but about understanding people, culture, and the power of narrative.

Growing up, I saw how films could educate and inspire people. In Arewa, cinema is more than entertainment—it’s a mirror of society. I wanted to use that mirror to reflect our values, challenges, and hopes. That desire to make meaningful films pushed me into directing.

What sets your work apart in today’s Kannywood?

For me, it’s about merging modern cinematic techniques with our Hausa cultural identity. I love bold visuals and tight storytelling, but I never want to lose that traditional heartbeat of my origin. My goal has always been to raise our production quality to international standards while staying true to our roots”, proof of that is clear in my current and biggest project, “Wata Shida.

How would you describe your directing style?

I like to call my style “realism with purpose.” I focus on authenticity—every scene, every performance, every frame must feel true to life. But I also ensure that there’s always a message, something the audience can take home and reflect on.

Can you highlight some of your notable works?

Sure, there is Wata Shida which is currently airing and has an overwhelming response from the public and the likes of Lulu Da Andalu a myth-inspired adventure series showing on AREWA24 and YouTube. YouTube pushed us to think bigger in terms of story and production. Mijin Hajiya earned me Best Director at the 2024 Kano Entertainment Awards, while Tataburza made waves at film festivals. Earlier films like Bakon Yanayi (2019) and my debut Kulba Na Barna (2017) helped me define my style. My latest project, Amaryar Lalle, starring Rahama Sadau, premieres August 2025 on Sadau Pictures TV. Each project is a step forward in showing what Kannywood can achieve.

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What awards and recognitions have you earned?

I have also been recognized by the Arewa5050 Awards and Kaduna International Film Festival (KIFF) for Lulu Da Andalu, which even won Best Indigenous Hausa Film. There’s also an AMVCA nomination for best Africanindigenous language , which is exciting because it means Hausa stories are getting wider attention.”

Who are your key collaborators?

Filmmaking is teamwork; TY Shaba has been a creative partner on several projects, especially on Lulu Da Andalu. I have WORKED with Rahama Sadau on Amaryar Lalle has been fantastic; she brings so much energy to the screen.”

What themes do you explore in your films?

I like telling stories where modern life clashes with traditional values—family conflict, cultural identity, gender roles. These are real issues in our society, and I try to explore them honestly but cinematically. I believe film should make people feel and also think.”

What is your next project?

I am working on Wata Shida Season 2, a story about a woman who enters a six-month sham marriage to protect her inheritance. It’s socially meaningful but also very entertaining. I will also continue with season 2 of “Amaryar Lalle.”

Can you tell us a little about your latest project?

This project is very close to my heart. It follows a young girl fighting to get an education in a society full of obstacles. Through her eyes, we see how family, tradition, and resilience collide, and how hope can survive even in the harshest situations.”

What inspired you to make this story?

Growing up, I saw so many bright young girls whose dreams were cut short just because they were girls. I felt a responsibility to tell this story—not as fiction, but as a mirror of what is happening around us.

How do you balance tradition and modernity in your work?

A: It’s about respect. I respect our traditions, but I also embrace new technology and ideas. In my films, I make sure traditional values are represented truthfully, while using modern techniques to improve production quality.

 

What challenges do you face as a director in Kannywood?

Budgets are often limited, and resources can be scarce. But the biggest challenge is sometimes societal misunderstanding of what we do as filmmakers. People forget that film is also an art form and a tool for change, not just entertainment.

Can you tell us your favourite project

Every project has its own special memory, but I’m proudest when a film sparks conversation or impacts people’s lives. For example, one of my recent films about youth unemployment led to community discussions and even small initiatives to help young people. That’s when I feel film is doing its job.

What advice would you give to aspiring directors?

Learn the craft—don’t rush. Watch films, study scripts, spend time on set even if it’s just to observe. Most importantly, stay humble and focused. Filmmaking is about patience, teamwork, and vision.

What should audiences expect from your upcoming projects?

Expect more powerful stories rooted in our culture, with better technical quality. I’m working on projects that tackle real societal issues, and I believe they’ll resonate with audiences not just in Arewa, but globally.

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Features

Antenatal Care: Why some women misses several sessions

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By Aisha Muhammad Rabiu

 

In many parts of Northern Nigeria, antenatal care is a vital step in ensuring the health of both mother and the unborn child. Yet, an increasing number of women are neglecting this crucial stage of pregnancy, putting themselves and their babies at serious risk, hence the high infant, mother mortality rate.

 

Health experts have been warning that antenatal visits help detect pregnancy complications at its early stage, provide essential supplements for healthy mother/child development, and educate mothers on safe delivery practices. But for some women, they find antenatal care as a burden either due to poverty or lack of awareness based on cultural practices and beliefs. As such antenatal remains a neglected priority.

 

 

In Kadawa, Fatima Sani, a 28-year-old expectant mother, admits she has not attended a single session of antenatal since the start of her pregnancy. she said “It’s not that I don’t want to go, but the clinic is far from my house, and my husband says we should save the transport money for delivery day. I just pray Allah protects me and my baby.”

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From Dan Bare, Shago Tara precisely, Khairat a mother of 4 shares her reasons for not attending antenatal session even though she is fully aware that the session is very important to pregnant women. She said “I feel healthy, so I don’t see the need to go for antenatal. My mother gave birth to all her children at home without any clinic visits, and they all survived.”

 

In Rijiyar Zaki, Hadiza Mukhtar recalls her previous pregnancy, where she skipped antenatal visits entirely. “The nurses were rude to me when I first went. I decided I would not return. This pregnancy, I haven’t gone at all,” she confesses.

 

For Usaina Muhammad of Kurna, the problem is financial. “I can’t afford the registration fee, and I also have other children to feed. I know antenatal is important, but survival comes first.”

 

Meanwhile, Maryam Lawan of Layi Kaji reveals that misinformation has influenced her decision. “Someone told me that the iron tablets they give at the clinic make the babies grow too big, making delivery harder. So, I decided to avoid it altogether.”

 

Medical professionals emphasize that skipping antenatal care increases the risk of complications such as anemia, high blood pressure, infections, and even maternal or infant death. Dr. Ibrahim Musa, a gynecologist in Kano, warns: “We see many emergencies that could have been avoided if the mother had attended antenatal. Most of these cases arrive late, making it harder for the doctors to save lives.”

 

Experts and community leaders agree that raising awareness is key in addressing the matter. Antenatal care should be made more affordable, accessible, and culturally acceptable for all women. Religious leaders, health workers, and family members all have a role to play in encouraging expectant mothers to attend regular check-ups.

 

Neglecting antenatal care is not just a personal choice; it’s a public health concern that affects families, communities, and the future of the nation. Ensuring that every mother has the knowledge, resources, and support to seek antenatal care is a step toward a healthier society.

 

Aisha Muhammad Rabiu writes from Bayero University Kano (BUK) and she can be reached at Email: aishatama2020@gmail.com

Phone no.08084273341

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Rano’s Peaceful Legacy: More Than a Slogan, One Tragedy Won’t Define Us

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For decades, Rano Garin Autan Bawo has proudly stood as a symbol of peace and harmony in Kano State. It is a place where neighbors look out for one another, where disputes are settled through dialogue, and where diversity is met with respect—not resentment. In Rano, peace is not just a slogan—it is a way of life passed down through generations.

The tragic incident that recently occurred at the Divisional Police Station in Rano Local Government has deeply shaken our community. Known for generations as one of the most peaceful and united areas in Nigeria, Rano now faces the painful reality of an attack that led to the death of a Divisional Police Officer and the destruction of police property. This senseless act of violence goes against everything our community stands for and must not be seen as a reflection of who we are.

Rano has long been recognized for its peaceful spirit, tolerance, and respect for all. People from different backgrounds, religions, and cultures have lived side by side here in harmony. This didn’t happen by chance—it is the result of years of effort by our leaders, religious figures, and ordinary citizens who believe that our strength lies in our unity and diversity.

Our respect for law and order is deep-rooted. We understand the crucial role that security personnel play in keeping our community safe. The people of Rano have always appreciated the risks and sacrifices made by the police, military, and other agencies to protect lives and property.

Respect for the law here is not just about obeying rules—it’s about a shared belief in justice, fairness, and solving problems peacefully and legally. This belief has helped build a respectful and cooperative relationship between the police and the people.

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What happened at the police station is completely out of character for our community. The individuals who carried out this attack do not represent us. Their actions go against the values that have shaped Rano. We strongly condemn what they did and make it clear that their behavior does not reflect who we are.

The loss of the Divisional Police Officer is not just a blow to the Nigeria Police Force or the Kano State Police Command—it is a loss for all of us. He wasn’t just doing his job; he was part of our extended family. His death is an attack on the peace and security that we all hold dear.

We send our deepest condolences to his family. No words can ease the pain of losing a loved one in such a brutal way. Our thoughts are also with his colleagues in the police force, who have lost a brother and a friend.

We also stand with the Kano State Police Command and the Nigeria Police Force as they face this heartbreaking loss. We understand how much this affects their morale, especially at a time when their work is more important than ever.

Destroying police buildings and equipment is not just an attack on law enforcement—it’s an attack on the very system that helps keep us safe. These facilities belong to the people and serve the entire community. Damaging them harms everyone, especially the most vulnerable among us.

We urge the government and relevant authorities to investigate this incident fully and fairly. Those responsible must be held accountable. Justice must be swift and uncompromised. Our community deserves to see the law upheld and the wrongdoers brought to book.

To our young people—the future of Rano—we ask for calm and reflection. We know that you may be frustrated or angry about many issues. But violence is never the answer. Taking the law into your own hands only brings more pain and setbacks for everyone.

Instead, we encourage our youth to focus on positive, constructive paths. There are peaceful, legal ways to raise your voices and push for change. Use those channels. Help move our community forward.

Rano must now focus on healing, rebuilding trust, and recommitting to the peaceful values that have always defined us. We must come together—young and old, leaders and citizens—to ensure that such violence never happens again.

We call on traditional leaders, religious figures, community elders, youth leaders, and all residents to stand united in promoting peace and respect for the law. Let’s strengthen our partnership with security agencies and support their efforts to keep us safe, while also holding them accountable to serve with respect and dignity.

How we respond to this tragedy will shape our future. Let us choose unity over division, peace over violence, and hope over despair. The actions of a few will not define us. We will protect the legacy of peace that Rano is known for and continue working together for a better tomorrow.

Buhari Abba wrote this piece from Unguwar Liman Rano.

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