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Parliamentary Probe Reveals Tampering with Key Tax Reform Legislation

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By Yusuf Danjuma Yunusa

The House of Representatives has confirmed that there is an illegal alteration of Nigeria’s newly gazetted tax reform laws.

The House Minority Caucus Ad-hoc Committee probing alleged alteration of the tax reform laws reported evidence of unauthorized changes to some of the tax reform laws recently passed by the National Assembly and signed into law by President Bola Tinubu.

In an interim report released on Friday, the committee said its findings showed clear discrepancies between the versions of the tax laws approved by lawmakers and those later published in the official gazette.

According to the panel, the Nigeria Tax Administration Act, 2025, contained the most significant alterations.

The probe followed public concern triggered by a motion raised on the floor of the House by Abdulsamad Dasuki, who warned that versions of the tax laws in circulation differed from what legislators had approved.

In response, the Minority Caucus, in a statement issued on December 28, 2025, pledged to safeguard the autonomy of the legislature and cautioned that the circulation of “fake laws” posed a direct threat to constitutional democracy.

Acting on that commitment, the caucus, under the leadership of Kingsley Chinda, set up a seven-member fact-finding committee on January 2, 2026.

The panel is chaired by Victor Ogene, with members Aliyu Garu (Bauchi), Stanley Adedeji (Oyo), Ibe Osonwa (Abia), Marie Ebikake (Bayelsa), Shehu Fagge (Kano), and Gaza Gbefwi Jonathan (Nasarawa).

A day later, the House, through its spokesman Akin Rotimi, announced that Speaker Tajudeen Abbas had ordered the release of certified copies of the four tax reform Acts signed by the President to enable public scrutiny.

The laws are the Nigeria Tax Act, 2025; Nigeria Tax Administration Act, 2025; National Revenue Service (Establishment) Act, 2025; and the Joint Revenue Board (Establishment) Act, 2025.

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The committee, in its preliminary assessment, said that a side-by-side review of the certified copies and the gazetted documents confirmed Dasuki’s claims.

“There were some alterations as alleged, especially in the Nigeria Tax Administration Act, 2025.

“There were three different versions of the documents in circulation, particularly the Nigeria Tax Administration Act, 2025,” the committee stated.

The report, signed by Ogene, noted that multiple versions of the Nigeria Tax Administration Act, 2025, were in circulation, raising questions about the integrity of the legislative process.

The panel argued that instructions to “align” the Acts with the Federal Government Printing Press suggested serious procedural lapses.

The committee added that the published version of the laws unlawfully intruded into the constitutional authority of the National Assembly.

According to the committee, there was “a clear indication that there were procedural anomalies in the previously gazetted version that illegally encroached on the core mandate of the National Assembly.”

Highlighting specific concerns, the committee said Section 29(1) on reporting thresholds had been altered.

While the version passed by lawmakers set thresholds at N50 million for individuals and N100 million for companies, the gazetted text reportedly reduced the individual threshold to N25 million, a move the committee described as an attempt to widen the tax net through executive interference.

The committee also criticised the insertion of new subsections 41(8) and 41(9), which mandate a 20 per cent deposit of disputed tax liabilities before appeals can be taken from the Tax Appeal Tribunal to the High Court.

The committee noted that these provisions were absent from the version approved by the legislature.

According to the report, Section 64 of the gazetted Act further expanded the enforcement powers of tax authorities, allowing arrests through law enforcement agencies and the sale of seized assets without court authorisation, powers not contained in the original Act.

The committee also flagged changes to Section 3(1)(b), where petroleum income tax and VAT were reportedly removed from the definition of federal taxes, and to Section 39(3), which now mandates tax computation for petroleum operations in U.S. dollars rather than “the currency of the transaction,” as originally passed.

Beyond the Tax Administration Act, the panel raised alarms over the Nigerian Revenue Service (Establishment) Act, saying provisions on National Assembly oversight, particularly Sections 30(1)(d) and 30(3), were deleted in the gazetted version.

The committee said these omissions stripped the legislature of mechanisms for summons, reporting, and accountability, undermining the principle of checks and balances.

The House is expected to deliberate on the interim findings and consider further actions to rectify the published laws and prevent future alterations.

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UNGA81: Shettima Leads Nigeria’s Delegation to New York

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By Yusuf Danjuma Yunusa

President Bola Tinubu has directed Vice President Kashim Shettima to lead Nigeria’s delegation to the 81st Session of the United Nations General Assembly, UNGA, in New York, United States.

Stanley Nkwocha, senior special assistant to the president on media and communications, made this known in a statement on Sunday in Abuja.

The 81st UNGA general debate will be held from September 22 to 28.

The theme of the UNGA is “Restoring trust, managing transformation: A United Nations that delivers for all.”

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Mr Nkwocha said Mr Shettima would deliver Nigeria’s national statement at the general debate.

He said the statement would outline Nigeria’s position and priorities on major global issues with implications for national development, peace and security, economic growth and international cooperation.

The presidential aide also said that Shettima would participate in high-level meetings during the UNGA week.

Mr Nkwocha added that VP Shettima’s engagements would focus on the right to development, climate action, and other issues of strategic importance to Nigeria and the African continent.

Similarly, he said Mr Shettima is also expected to join other world leaders at the traditional reception for Heads of Delegation and participate in a series of bilateral meetings with leaders of other countries and international organisations, as well as development partners on the sidelines of the General Assembly.

“The engagements will provide Nigeria an opportunity to advance President Tinubu’s economic diplomacy, deepen strategic partnerships and strengthen the country’s voice on reform of the global financial architecture, sustainable development, climate finance and multilateral cooperation,” he said.

Mr Nkwocha said VP Shettima will return to Nigeria after concluding his engagements in New York.

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Former Kogi Governor Ibrahim Idris Dies In UK At 77

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By Yusuf Danjuma Yunusa

Former Kogi State Governor, Alhaji Ibrahim Idris, has reportedly died in the United Kingdom at the age of 77.

Reliable sources broke the shocking news of Idris’s death on Sunday; further details of his reported death were still being awaited as of press time.

Idris served as governor of Kogi State from 2003 to 2008 and again from 2008 to 2012 on the platform of the Peoples Democratic Party (PDP). He was succeeded by his brother-in-law, Captain Idris Wada, in January 2012.

Born in 1949 in Idah, Kogi State, Idris began his education in Onitsha, Anambra State, before moving to Kano, where he completed his primary education.

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He later attended King’s Commercial College in Buguma, Rivers State, and obtained a bachelor’s degree from the University of Abuja.

Before venturing into politics, Idris was a businessman. He established Ibro Trading Company, with interests including construction, furniture manufacturing and hospitality.

He later established a furniture factory in Sokoto and the Ibro Hotel, described in available biographical records as the first three-star hotel in the old Sokoto State.

Idris emerged as the PDP governorship candidate for Kogi State ahead of the 2003 election and defeated the incumbent governor, Prince Abubakar Audu.

He was sworn in as governor on May 29, 2003.

Idris was re-elected in 2007, but the election was later nullified following a legal challenge over the exclusion of the All Nigeria Peoples Party (ANPP) candidate, Abubakar Audu, from the poll.

The Court of Appeal upheld the decision in February 2008 and ordered a fresh election.

Idris subsequently contested the March 2008 re-run and was returned as governor. His victory was challenged by Audu, who alleged electoral irregularities.

Idris eventually completed his tenure in January 2012 and was succeeded by Wada.

The former governor also attracted national attention in 2006 when three of his daughters survived the ADC Airlines Flight 53 crash, which claimed numerous lives.

Following the incident, Idris described the survival of his daughters as a “superlative show of mercy” from God and called for thanksgiving.

In April 2024, Idris suffered the loss of his son, Mohammed Ibrahim Idris, a former member of the House of Representatives representing Ankpa, Olamaboro and Omala Federal Constituency of Kogi State. Mohammed died in Abuja shortly after observing Eid-el-Fitr prayers.

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Mahanga TV Launches in Nigeria to Take Hausa Storytelling, Northern Talent to Global Audiences

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Kano-based media platform combines broadcasting, original productions, current affairs, culture and digital media in a new chapter for Northern Nigerian storytelling

A new voice has entered Nigeria’s evolving media landscape with the launch of Mahanga TV, a Kano-based Hausa media and broadcasting platform established to bring together original storytelling, journalism, drama, film, culture and entertainment while giving Northern Nigerian stories a wider audience.

Operating under Mahanga Media and Productions Ltd., the platform is positioning itself at the intersection of television, digital media and modern content production, with an ambition to inform, entertain and connect audiences through professionally produced content.

Mahanga TV is available as a Free-to-Air television service on Amos 17 at a frequency of 11,882 MHz, providing viewers with access to its growing range of Hausa-language programming and original content.

The company describes its philosophy in a simple phrase: “Born in Kano. Built for the world.” Its stated mission is to deliver innovative media solutions that inform, inspire and connect audiences through storytelling and technology, while its broader vision is to build a media and broadcasting company recognised for excellence, creativity and impact in Nigeria and beyond.

For Nuhu Abdullahi Balarabe, Founder and Chief Executive Officer of Mahanga TV, the platform was created from a belief that Northern Nigeria possesses a wealth of stories, talent and cultural perspectives that deserve a larger platform.

“Mahanga TV was established from a deep conviction that Northern Nigeria has a wealth of stories, talent, culture and perspectives that deserve to be told with professionalism, creativity and global relevance. Our vision is to build a modern Hausa media platform that informs, entertains and connects audiences while creating opportunities for Northern talent and amplifying stories that reflect who we are and where we are going.

“At Mahanga TV, we are combining contemporary broadcast technology with original storytelling, current affairs, drama, film, music, culture and entertainment to create a platform that goes beyond traditional television. We are proud to be born in Kano, but our ambition is to take the stories and voices of Northern Nigeria to audiences across Nigeria and the world.”

— Nuhu Abdullahi Balarabe, Founder & Chief Executive Officer, Mahanga TV

That vision is reflected in the platform’s programming structure, which spans talk shows, drama series, feature films, current affairs, music and culture, and family-friendly entertainment. Its published programming slate includes talk formats such as Labaran Yau, Sahel Circle, Kano After Dark and Arewa Dialogues, alongside drama productions, feature films, current-affairs programmes and music and cultural shows.

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Its drama offering focuses on stories grounded in Hausa-Fulani heritage, with the company highlighting writers, directors and actors from across Northern Nigeria. Its feature-film programming similarly seeks to showcase Northern Nigerian filmmaking and artistry, while its music and culture programming brings together traditional cultural expressions and contemporary Northern sounds.

The platform’s current-affairs offering is another important part of its identity, with programmes listed under the Mahanga Newshour, Northern Report, Frontline and Market Day brands. The programming is designed around issues and conversations relevant to audiences in Northern Nigeria, complementing the platform’s entertainment and cultural content.

Behind the programming is an investment in production infrastructure. Mahanga’s facility at Farm Centre, Tarauni, Kano, includes professional studios, editing and post-production suites, audio recording booths, a live-streaming control room, meeting rooms and high-speed internet. Its listed production equipment includes high-definition cameras, professional lighting, audio recording systems, live-streaming equipment, editing facilities and broadcast transmission gear.

The company’s production model covers the entire process from concept and scripting to filming, editing and distribution, allowing projects to be developed with a unified creative and production direction. Its delivery platforms include television, online broadcasting, social media and live streaming.

Beyond its programming, Mahanga Media and Productions also positions itself as a full-service media company serving brands, institutions and individuals. Its services include television and online broadcasting, video production, social-media campaigns, online media campaigns, event coverage and live streaming.

The company’s development has also been marked by a gradual expansion of its production and digital capabilities. According to its published corporate timeline, Mahanga TV was founded in Kano in 2025, expanded its studio and live-streaming infrastructure in 2026, moved into digital campaigns and online broadcasting in 2026 and produced its original Baya da Kura series in 2026. In 2026, the company describes itself as operating as a full-service media organisation covering broadcasting, production, events and live streaming.

The digital component of the platform is also being expanded. Mahanga says a dedicated mobile application for iOS and Android is currently in development, with plans to allow audiences to watch programmes, receive updates and access Mahanga TV content directly from their mobile devices.

For Northern Nigeria’s creative industry, the emergence of a platform built around local storytelling, production and talent creates another avenue through which filmmakers, journalists, actors, musicians, presenters and other creatives can reach audiences.

More broadly, Mahanga’s launch comes at a time when the distinction between television and digital media is becoming increasingly fluid. Audiences now consume news, entertainment and cultural content across television, social media, streaming platforms and mobile devices. Mahanga’s stated strategy reflects that changing media environment by combining conventional broadcasting with digital distribution and original content production.

At the centre of the platform, however, remains storytelling.

From current affairs and long-form conversations to drama, film, music and cultural programming, Mahanga is seeking to build a media identity that is distinctly Northern while remaining accessible to audiences beyond the region.

Its launch therefore represents more than the arrival of another television platform in Kano. It marks the beginning of an effort to create a modern Hausa media brand capable of bringing together Northern identity, professional production, contemporary broadcasting and digital storytelling.

And with its ambition captured in its own words — “Born in Kano. Built for the world.” — Mahanga TV is setting out to give the stories, voices and talent of Northern Nigeria a wider stage.

Mahanga TV — Free-to-Air Broadcast Information

Satellite: AMOS-17
Transponder: K7113
Frequency: 11,882 MHz
Polarization: V (Vertical)
Symbol Rate: 30 Msps
Modulation: QPSK
FEC: 2/3

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