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Five Largest  USA Zoo’s  Are Located Within The City

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Dr Mahmud Abba

 

 

By Dr Mahmud Abba  

The value of a place is measured not only by its aesthetics but its historical, social and cultural values. The historical and cultural signature of cities determines its classical and modern value.

 

Cities like Kano are held in high esteem because of their historical significance and in today’s world the nature of and state of a city’s ecology guarantees its health as a city and the well being of its citizens.

 

Of all the recent destructions and desecration of Kano city’s open spaces and historical heritages, the planned relocation of the Audu Bako Zoological Garden is perhaps the saddest and undoubtedly the most disastrous to the city’s ecosystem.

 

 

The latest spate of vandalism started in 2016 with the heartbreaking conversion of the last and the largest two of the 19 city parks and gardens at Kundila and Tarauni quarters into commercial, educational and religious land uses.

Relocation Of Kano Zoological Garden: Decimating The City’s Air Purification

This was then followed by the defilement of the sacred Eid ground at Kofar Mata and the subsequent ruining of the long stretch of more than five-hundred-year old section of the Kano city walls which runs between Kofar Famfo and Kofar Gadon Kaya and around Kofar Ruwa.

 

The score of wanton destructions of the city’s cherished physical legacies in the name of development finally reached its highest stage when the Kano Zoo was given a death sentence.

 

The most depressing part of the relocation saga rests in the flimsy justifications of the plan given by the authorities. A highly placed government official was widely reported on Wednesday 25th November, 2020 to have stated that the relocation is needed because the present location of the zoological garden is too noisy for the comfort of the wildlife.

 

 

Laughable, isn’t it?  Because some few years ago the same government ejected tens of small-scale horticulturalists along the BUK Road section of the Kano city walls, to give space for the creation of multi-million naira commercial plots of land. Okay, the authorities are concerned about the wellbeing of the wild animals, fine. This is impressive, so let all the lions, the elephants, the hyenas, the monkeys and the host of others be transferred to a more conducive location.

 

 

However, the botanical garden should be left alone. In other words, all the trees, shrubs, herbs and other forms of floral species existing in the zoo should be left untampered with; since unlike the animals, vegetation cannot be disturbed by the noise emanating from the adjacent areas.

 

However, the relocation of the zoological centre on the account of disturbances from noise does not even arise. It is scientifically established and practically proven that trees reduce noise in an area.

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Anyone can go to the zoo right now and will find out that, in spite of the auto-traffic, commercial and residential noise from the environs, the premises of the garden is not only quiet but tranquil. Because of noise-screening effect of trees, a person inside the zoo will find it hard to believe that he is right in the middle of Kano metropolis. So what noise are we talking about? If there are more palatable justifications for the relocation exercise please we are waiting to hear them, but we cannot stomach this one.

 

Another weak justification advanced by the advocates of the relocation is that the garden is now in the middle of urban residential area, and in view of the recent break of a lion, the zoo presently constitutes a grave danger to the general public. On this, one should ask the following: Is Kano the only city in the world that has a zoo? Definitely no, in fact the five largest zoos in the U.S.A are all located within cities and major towns of the country.

 

Even in Nigeria, zoos a found inside big cities such as Jos, Port Harcout, Owerri, Maiduguri, Ibadan and major urban districts like Lekki and Ibeju in Lagos and Asokoro in Abuja. Osun-Oshogbo grove, a world heritage area, is located right inside Oshogbo city. There are zoos even within the premises of some Nigerian universities such as university of Ibadan and Gombe state university. Thus the dangers lay not in the location of the zoo inside the city but on poor management practices and substandard safety protocols being observed in the facility.

 

Going by antecedents, the over 53 hectre zoological garden will be fragmented into tens, perhaps hundreds of residential and commercial plots of land under the mantra of residential land supply and urban development.

 

Considering the location of the land and similar previous experience, when created the smallest of the plots will roughly value to the tune of 15 million naira. Then which category of the citizenry do you think is going to benefit from the ‘allocation’ of the plots?  On one hand there are the masses; primarily the low income petty-traders, artisans, labourers, messengers, classroom teachers and civil servants.

 

On the other hand are the top politicians, their families, friends and clients, contractors, business magnates, traditional and religious leaders as well as top civil servants. Because social equity and justice are nowadays aliens in our cities, the category of the public to benefit from the ‘allocation’ is obvious.

 

Then what other reasons are there for the removal of the recreational centre? Evidently there are no acceptable ones. These justifications were just given by those within the corridors of power on the conviction that even on weak evidence, majority of the people will be quick to see the dangers of the continued existence of the zoo in the locality; because people usually give more weight to evidence that supports their perception, no matter how wrong it is, than evidence which contradicts it.

 

Therefore there was a deliberate and sustained effort by the authorities to tarnish the image and dent the reputation of the zoological garden just because they want to grab the land on which it is standing.

 

Part of the genesis of this problem is our narrow perception of the concept of physical development. The authorities believe that to achieve physical development every available open space must be converted to building.

 

Do they forget that every city in the world is made up of three major physical components namely; structures, networks and open spaces? Are they turning a blind eye on the numerous social and ecological services being provided by the zoo?.

 

As the largest green area in the metropolis, it serves as a major urban flood water sink thus an important recharger to the city’s underground water reservoir. It is also the main carbon sink of the metropolis, a biodiversity hotspot, a repository of endangered plants and animals; the last biological sanctuary in the desert of humans and buildings. The garden provides an avenue for relaxation to thousands of residents of the city. It is also a centre of social interaction amongst the multi-ethnic, multi-cultural society thereby promoting cultural integration and social inclusion in the city.

 

Our prayer is that the people of Kano should rise up and ensure that the botanical garden stays. If we fail to do that, in some years to come, there will be a heavy price to pay. As teachers, we have done our part and we hope posterity will be fair to us.

 

Mahmud Abba, PhD

Department of Geography,

Bayero University, Kano

28/11/2020

Features

Why I want To Rewrite Kannywood’s Playbook – Dan Hausa

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Kamilu Danhausa

 

By Saif Ibrahim, Kano

Who is Dan Hausa?

I am Kamilu Ibrahim born 31 years ago, but most people know me as Dan Hausa. I was born in Fagge, Kano State, and from the very beginning I knew I wanted to tell stories that reflect the realities of my people. I trained at the High Definition Film Academy in Abuja, SAE Institute, and also took part in the U.S. Embassy’s Filmmaking for Impact program. I join the fikm making industry and started directing in 2017 because I wanted full control over how my stories are told.

Can you tell us a bit about yourself and your journey into film directing?

My journey began with a love for storytelling—I started as a scriptwriter, then worked closely with experienced filmmakers before directing my first film. Over the years, I’ve learned that directing isn’t just about cameras and lights, but about understanding people, culture, and the power of narrative.

Growing up, I saw how films could educate and inspire people. In Arewa, cinema is more than entertainment—it’s a mirror of society. I wanted to use that mirror to reflect our values, challenges, and hopes. That desire to make meaningful films pushed me into directing.

What sets your work apart in today’s Kannywood?

For me, it’s about merging modern cinematic techniques with our Hausa cultural identity. I love bold visuals and tight storytelling, but I never want to lose that traditional heartbeat of my origin. My goal has always been to raise our production quality to international standards while staying true to our roots”, proof of that is clear in my current and biggest project, “Wata Shida.

How would you describe your directing style?

I like to call my style “realism with purpose.” I focus on authenticity—every scene, every performance, every frame must feel true to life. But I also ensure that there’s always a message, something the audience can take home and reflect on.

Can you highlight some of your notable works?

Sure, there is Wata Shida which is currently airing and has an overwhelming response from the public and the likes of Lulu Da Andalu a myth-inspired adventure series showing on AREWA24 and YouTube. YouTube pushed us to think bigger in terms of story and production. Mijin Hajiya earned me Best Director at the 2024 Kano Entertainment Awards, while Tataburza made waves at film festivals. Earlier films like Bakon Yanayi (2019) and my debut Kulba Na Barna (2017) helped me define my style. My latest project, Amaryar Lalle, starring Rahama Sadau, premieres August 2025 on Sadau Pictures TV. Each project is a step forward in showing what Kannywood can achieve.

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What awards and recognitions have you earned?

I have also been recognized by the Arewa5050 Awards and Kaduna International Film Festival (KIFF) for Lulu Da Andalu, which even won Best Indigenous Hausa Film. There’s also an AMVCA nomination for best Africanindigenous language , which is exciting because it means Hausa stories are getting wider attention.”

Who are your key collaborators?

Filmmaking is teamwork; TY Shaba has been a creative partner on several projects, especially on Lulu Da Andalu. I have WORKED with Rahama Sadau on Amaryar Lalle has been fantastic; she brings so much energy to the screen.”

What themes do you explore in your films?

I like telling stories where modern life clashes with traditional values—family conflict, cultural identity, gender roles. These are real issues in our society, and I try to explore them honestly but cinematically. I believe film should make people feel and also think.”

What is your next project?

I am working on Wata Shida Season 2, a story about a woman who enters a six-month sham marriage to protect her inheritance. It’s socially meaningful but also very entertaining. I will also continue with season 2 of “Amaryar Lalle.”

Can you tell us a little about your latest project?

This project is very close to my heart. It follows a young girl fighting to get an education in a society full of obstacles. Through her eyes, we see how family, tradition, and resilience collide, and how hope can survive even in the harshest situations.”

What inspired you to make this story?

Growing up, I saw so many bright young girls whose dreams were cut short just because they were girls. I felt a responsibility to tell this story—not as fiction, but as a mirror of what is happening around us.

How do you balance tradition and modernity in your work?

A: It’s about respect. I respect our traditions, but I also embrace new technology and ideas. In my films, I make sure traditional values are represented truthfully, while using modern techniques to improve production quality.

 

What challenges do you face as a director in Kannywood?

Budgets are often limited, and resources can be scarce. But the biggest challenge is sometimes societal misunderstanding of what we do as filmmakers. People forget that film is also an art form and a tool for change, not just entertainment.

Can you tell us your favourite project

Every project has its own special memory, but I’m proudest when a film sparks conversation or impacts people’s lives. For example, one of my recent films about youth unemployment led to community discussions and even small initiatives to help young people. That’s when I feel film is doing its job.

What advice would you give to aspiring directors?

Learn the craft—don’t rush. Watch films, study scripts, spend time on set even if it’s just to observe. Most importantly, stay humble and focused. Filmmaking is about patience, teamwork, and vision.

What should audiences expect from your upcoming projects?

Expect more powerful stories rooted in our culture, with better technical quality. I’m working on projects that tackle real societal issues, and I believe they’ll resonate with audiences not just in Arewa, but globally.

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Antenatal Care: Why some women misses several sessions

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By Aisha Muhammad Rabiu

 

In many parts of Northern Nigeria, antenatal care is a vital step in ensuring the health of both mother and the unborn child. Yet, an increasing number of women are neglecting this crucial stage of pregnancy, putting themselves and their babies at serious risk, hence the high infant, mother mortality rate.

 

Health experts have been warning that antenatal visits help detect pregnancy complications at its early stage, provide essential supplements for healthy mother/child development, and educate mothers on safe delivery practices. But for some women, they find antenatal care as a burden either due to poverty or lack of awareness based on cultural practices and beliefs. As such antenatal remains a neglected priority.

 

 

In Kadawa, Fatima Sani, a 28-year-old expectant mother, admits she has not attended a single session of antenatal since the start of her pregnancy. she said “It’s not that I don’t want to go, but the clinic is far from my house, and my husband says we should save the transport money for delivery day. I just pray Allah protects me and my baby.”

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From Dan Bare, Shago Tara precisely, Khairat a mother of 4 shares her reasons for not attending antenatal session even though she is fully aware that the session is very important to pregnant women. She said “I feel healthy, so I don’t see the need to go for antenatal. My mother gave birth to all her children at home without any clinic visits, and they all survived.”

 

In Rijiyar Zaki, Hadiza Mukhtar recalls her previous pregnancy, where she skipped antenatal visits entirely. “The nurses were rude to me when I first went. I decided I would not return. This pregnancy, I haven’t gone at all,” she confesses.

 

For Usaina Muhammad of Kurna, the problem is financial. “I can’t afford the registration fee, and I also have other children to feed. I know antenatal is important, but survival comes first.”

 

Meanwhile, Maryam Lawan of Layi Kaji reveals that misinformation has influenced her decision. “Someone told me that the iron tablets they give at the clinic make the babies grow too big, making delivery harder. So, I decided to avoid it altogether.”

 

Medical professionals emphasize that skipping antenatal care increases the risk of complications such as anemia, high blood pressure, infections, and even maternal or infant death. Dr. Ibrahim Musa, a gynecologist in Kano, warns: “We see many emergencies that could have been avoided if the mother had attended antenatal. Most of these cases arrive late, making it harder for the doctors to save lives.”

 

Experts and community leaders agree that raising awareness is key in addressing the matter. Antenatal care should be made more affordable, accessible, and culturally acceptable for all women. Religious leaders, health workers, and family members all have a role to play in encouraging expectant mothers to attend regular check-ups.

 

Neglecting antenatal care is not just a personal choice; it’s a public health concern that affects families, communities, and the future of the nation. Ensuring that every mother has the knowledge, resources, and support to seek antenatal care is a step toward a healthier society.

 

Aisha Muhammad Rabiu writes from Bayero University Kano (BUK) and she can be reached at Email: aishatama2020@gmail.com

Phone no.08084273341

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Rano’s Peaceful Legacy: More Than a Slogan, One Tragedy Won’t Define Us

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For decades, Rano Garin Autan Bawo has proudly stood as a symbol of peace and harmony in Kano State. It is a place where neighbors look out for one another, where disputes are settled through dialogue, and where diversity is met with respect—not resentment. In Rano, peace is not just a slogan—it is a way of life passed down through generations.

The tragic incident that recently occurred at the Divisional Police Station in Rano Local Government has deeply shaken our community. Known for generations as one of the most peaceful and united areas in Nigeria, Rano now faces the painful reality of an attack that led to the death of a Divisional Police Officer and the destruction of police property. This senseless act of violence goes against everything our community stands for and must not be seen as a reflection of who we are.

Rano has long been recognized for its peaceful spirit, tolerance, and respect for all. People from different backgrounds, religions, and cultures have lived side by side here in harmony. This didn’t happen by chance—it is the result of years of effort by our leaders, religious figures, and ordinary citizens who believe that our strength lies in our unity and diversity.

Our respect for law and order is deep-rooted. We understand the crucial role that security personnel play in keeping our community safe. The people of Rano have always appreciated the risks and sacrifices made by the police, military, and other agencies to protect lives and property.

Respect for the law here is not just about obeying rules—it’s about a shared belief in justice, fairness, and solving problems peacefully and legally. This belief has helped build a respectful and cooperative relationship between the police and the people.

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What happened at the police station is completely out of character for our community. The individuals who carried out this attack do not represent us. Their actions go against the values that have shaped Rano. We strongly condemn what they did and make it clear that their behavior does not reflect who we are.

The loss of the Divisional Police Officer is not just a blow to the Nigeria Police Force or the Kano State Police Command—it is a loss for all of us. He wasn’t just doing his job; he was part of our extended family. His death is an attack on the peace and security that we all hold dear.

We send our deepest condolences to his family. No words can ease the pain of losing a loved one in such a brutal way. Our thoughts are also with his colleagues in the police force, who have lost a brother and a friend.

We also stand with the Kano State Police Command and the Nigeria Police Force as they face this heartbreaking loss. We understand how much this affects their morale, especially at a time when their work is more important than ever.

Destroying police buildings and equipment is not just an attack on law enforcement—it’s an attack on the very system that helps keep us safe. These facilities belong to the people and serve the entire community. Damaging them harms everyone, especially the most vulnerable among us.

We urge the government and relevant authorities to investigate this incident fully and fairly. Those responsible must be held accountable. Justice must be swift and uncompromised. Our community deserves to see the law upheld and the wrongdoers brought to book.

To our young people—the future of Rano—we ask for calm and reflection. We know that you may be frustrated or angry about many issues. But violence is never the answer. Taking the law into your own hands only brings more pain and setbacks for everyone.

Instead, we encourage our youth to focus on positive, constructive paths. There are peaceful, legal ways to raise your voices and push for change. Use those channels. Help move our community forward.

Rano must now focus on healing, rebuilding trust, and recommitting to the peaceful values that have always defined us. We must come together—young and old, leaders and citizens—to ensure that such violence never happens again.

We call on traditional leaders, religious figures, community elders, youth leaders, and all residents to stand united in promoting peace and respect for the law. Let’s strengthen our partnership with security agencies and support their efforts to keep us safe, while also holding them accountable to serve with respect and dignity.

How we respond to this tragedy will shape our future. Let us choose unity over division, peace over violence, and hope over despair. The actions of a few will not define us. We will protect the legacy of peace that Rano is known for and continue working together for a better tomorrow.

Buhari Abba wrote this piece from Unguwar Liman Rano.

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