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An award-winning photographer wants to establish photo academy

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Sani Maikatanga is an ace and fearless photographer with  Daily Trust Newspapers , Maikatanga is the chief photographer with the Newspaper’s regional office in Kano, in a chat with the Nigerian Tracker  Maikatanga said his main ambition is to establish Photography academy, this serious man performs hid duty with exceptional diligence ,passion and dedication  and he had to his credit several awards.

Maikatanga was the only photo journalist during the burial of Late President Umaru Musa Yar’adua that risks his life and captured the first row where the chief Imam of Katsina GRA led the prayers for the repose of Late President Yar’adua and other outstanding  pictures to his credit.

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Birth

I was born on the 15 of August 1975 to the family of Alhaji Muhammad Maikatanga, a native of Kazaure local government area of Jigawa state and Hajiya Hauwa Dodon Aku, from Gumel local government area of the same state.

Out of 10 children born to my father, I am the second, following our eldest brother Muhammad Auwal. Also, on my mother’s side Iam the second child after Haruna, who is from a different father.

Sani Maikatanga

Childhood and education

I started my primary education at Giginyu Special Primary School from where I graduated in 1988 before proceeding to Government Boys Secondary School Kawaji, then to Government Boys Secondary School in Tarauni and finally to Government Technical College Kofar Nassarawa. I studied electronics and graduated in 1994.

Thereafter, I enrolled at Federal College of Education Technical (FCE) Bichi from 1995 to 1999, from which I obtained a certificate in Electrical/Electronic.

Family

I married in December 2002 and the marriage is blessed with four lovely children ,two boys and two girls.

Argungu fishing festival

My Journey to Photography

I developed interest in photography in 1992 when two acquaintances—Salisu Baso, then a staff of Kano Sports Council (now with the Triumph Newspaper) and Tijjani, a staff of the Nigeria Television Authority—established a photo studio in Kano. They employed me to  assist   them in the  studio, where I was made in charge of the daily running of the facility until I got admission into FCE Bichi in 1995.

Four years later, I was again contacted to join another studio called Babson, where I worked for less than a year before moving to  another one known as Galaxy Studio. I was referred to the manager of the studio due to the skills I had earlier acquired in the photography world.

It was at that moment that I joined one of my childhood friends, Ibrahim Musa Giginyu and other colleagues to set up a drama group which gave me the opportunity to further sharpen my skills in photography.

Filmmaking and Photojournalism

In the year 2000, I came across one Tijjani Ibrahim (now deceased)—a film director and a Staff of the Central Television (CTV, now Abubakar Rimi Television, ARTV), who first introduced me to filmmaking activities.

Through Mr Ibrahim, I also met Ashafa Murnai Barkiya, who was the editor of Mujallar Fim (Film Magazine), and entertainment publication founded two years earlier.

when Maikatanga displays his royal versatility by capturing the regalia of Emir Aminu during Eid

Satisfied with my skills in photography, the editors at Mujallar Film engaged me to snap pictures of actors and other celebrities for publication in the magazine.

Interestingly, the publisher and founder of the Film Magazine, Ibrahim Sheme, was also the editor of Leadership Newspapers.

It was Mr Sheme that exposed me to the art of photojournalism when he referred me to the publishers of Leadership newspaper, where I got a job.

I remained in the employment of Leadership newspaper with Mr Sheme until 2009 when Media Trust Limited (Publishers of Daily Trust newspaper titles) opened their branch office in Kano.

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Jaafar Jaafar the current Publisher and Editor In chief Daily Nigerian Newspaper, a longtime friend , was the person who offered me the chance to work with Daily Trust as a photographer after I left Leadership.

When the Daily Trust office opened, the then Regional Editor, Malam Auwalu Umar employed me as a photojournalist, to take photo news for the Kano Chronicle and Daily Trust titles.

A day to Kano lockdown

After joining Daily Trust, the demands of my job forced me to quit Film Magazine in 2009.

In 2010, the then Daily Trust Photo Editor, Afolabi Sotunde introduced me to Reuters while Salamba (a colleague in Lagos) linked me to Associated Press (AP) and Malam Abdurrahman to DW—for which I still contribute as a photojournalist. 

Presently, I still work with the Daily Trust as a freelance photojournalist alongside my friend Ibrahim Giginyu, who is a reporter and is doing very well.

Instagram world

I first opened my Instagram account in 2016 to showcase my work and projects in photography with a special focus on Documentary and Photojournalism. Currently, I have also acquired skills as an events photographer from 2018 to 2019. 

One of Maikatanga’s exclusives during the burial of late President Umaru Musa Yar’adua

Ambition

My most cherished ambition is to establish a photography academy with the largest photo studio in Northern Nigeria.

Awards and workshop/seminars

– Second prize Winner of the photo contest award, China – Nigeria friendly in pictures contest, Organised by the embassy of the people’s republic of China and federal republic of Nigeria. To mark the 70th anniversary of founding of republic of China, 2019.

– Certificate of participation, The Now Collective photography conference in lagos, 2019.

– Won several award as best photographer of the month in Daily Trust newspapers company and received certificate and cash.

–  Best Arewa Photojournalist by Sautin Arewa entertainment, 2018.

–  Certificate of attendance on 3 days project course basic level on alternative to violence course with the assistance of Nigerian Red cross supported by International committee of Red cross (ICRC). 2002.

Sani Maiktanga is not left out during cultural Durbar

–  Practical First Aid Certificate, organized by Nigerian Red Cross Society. 2002

–  Certificate of participation on Youth Leadership Training on First Aid, disaster management and response, anti drug abuse, community development, drill exercise, HIV/AIDS, road safety, citizenship and leadership training. Organized by Nigerian Red Cross Society Kano, 2006.

–   Best photographer by Arewa in Ghana group, 2018.

–   Best supporting photographer by Gamji Pearls Kaduna, 2017.

–  Best brand photographer of the year by Kaduna fashion and award, 2017.

–   Best Enterpreneur for outstanding achievement in photography industry by KDC Award 2016.

–   Award of Merit on contributions toward empowering Youths by Northern Trendz awards 2019.

–  Merit award by Iyan Tama Multimedia Nig. LTD. Kano for tremendous contribution and support to the growth and development of Hausa movie industry. 2010.

from Maikatanga’s photo library

–  Certificate of merit award by Youth observers forum on democracy and the press. 2009. As Photojournalist with Daily Trust newspapers.

–  Award excellence by Yahoo Group (finafinan_hausa@yahoogroup.com). Toward the contribution on film industry for over 10 years of FIM Magazine famous hausa mujallar, 2007.

–  Certificate of merit by Arewa Guild of Film and theater artistes, toward uplifting the entertainment industry as FIM Magazine reporter, 2005.

–  Certificate of participation by Hausa writers Association of Nigeria on Writers and the internet, 2004.

Enticing photograph from Sani

– Letter of appreciation by MEDICINS SANS FRONTIERES (Doctors without borders), on helpful active and motivated for the duration of MSF Holland cholera program in Kano, 2000. As one of Nigeria Red Cross Member Kano Branch.

He is not left out in large religious gathering

 –  Inspirational and Creativity Award by Rescue the women Foundation (REWOFO) on 11th of January 2020.

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Features

Why I want To Rewrite Kannywood’s Playbook – Dan Hausa

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Kamilu Danhausa

 

By Saif Ibrahim, Kano

Who is Dan Hausa?

I am Kamilu Ibrahim born 31 years ago, but most people know me as Dan Hausa. I was born in Fagge, Kano State, and from the very beginning I knew I wanted to tell stories that reflect the realities of my people. I trained at the High Definition Film Academy in Abuja, SAE Institute, and also took part in the U.S. Embassy’s Filmmaking for Impact program. I join the fikm making industry and started directing in 2017 because I wanted full control over how my stories are told.

Can you tell us a bit about yourself and your journey into film directing?

My journey began with a love for storytelling—I started as a scriptwriter, then worked closely with experienced filmmakers before directing my first film. Over the years, I’ve learned that directing isn’t just about cameras and lights, but about understanding people, culture, and the power of narrative.

Growing up, I saw how films could educate and inspire people. In Arewa, cinema is more than entertainment—it’s a mirror of society. I wanted to use that mirror to reflect our values, challenges, and hopes. That desire to make meaningful films pushed me into directing.

What sets your work apart in today’s Kannywood?

For me, it’s about merging modern cinematic techniques with our Hausa cultural identity. I love bold visuals and tight storytelling, but I never want to lose that traditional heartbeat of my origin. My goal has always been to raise our production quality to international standards while staying true to our roots”, proof of that is clear in my current and biggest project, “Wata Shida.

How would you describe your directing style?

I like to call my style “realism with purpose.” I focus on authenticity—every scene, every performance, every frame must feel true to life. But I also ensure that there’s always a message, something the audience can take home and reflect on.

Can you highlight some of your notable works?

Sure, there is Wata Shida which is currently airing and has an overwhelming response from the public and the likes of Lulu Da Andalu a myth-inspired adventure series showing on AREWA24 and YouTube. YouTube pushed us to think bigger in terms of story and production. Mijin Hajiya earned me Best Director at the 2024 Kano Entertainment Awards, while Tataburza made waves at film festivals. Earlier films like Bakon Yanayi (2019) and my debut Kulba Na Barna (2017) helped me define my style. My latest project, Amaryar Lalle, starring Rahama Sadau, premieres August 2025 on Sadau Pictures TV. Each project is a step forward in showing what Kannywood can achieve.

What awards and recognitions have you earned?

I have also been recognized by the Arewa5050 Awards and Kaduna International Film Festival (KIFF) for Lulu Da Andalu, which even won Best Indigenous Hausa Film. There’s also an AMVCA nomination for best Africanindigenous language , which is exciting because it means Hausa stories are getting wider attention.”

Who are your key collaborators?

Filmmaking is teamwork; TY Shaba has been a creative partner on several projects, especially on Lulu Da Andalu. I have WORKED with Rahama Sadau on Amaryar Lalle has been fantastic; she brings so much energy to the screen.”

What themes do you explore in your films?

I like telling stories where modern life clashes with traditional values—family conflict, cultural identity, gender roles. These are real issues in our society, and I try to explore them honestly but cinematically. I believe film should make people feel and also think.”

What is your next project?

I am working on Wata Shida Season 2, a story about a woman who enters a six-month sham marriage to protect her inheritance. It’s socially meaningful but also very entertaining. I will also continue with season 2 of “Amaryar Lalle.”

Can you tell us a little about your latest project?

This project is very close to my heart. It follows a young girl fighting to get an education in a society full of obstacles. Through her eyes, we see how family, tradition, and resilience collide, and how hope can survive even in the harshest situations.”

What inspired you to make this story?

Growing up, I saw so many bright young girls whose dreams were cut short just because they were girls. I felt a responsibility to tell this story—not as fiction, but as a mirror of what is happening around us.

How do you balance tradition and modernity in your work?

A: It’s about respect. I respect our traditions, but I also embrace new technology and ideas. In my films, I make sure traditional values are represented truthfully, while using modern techniques to improve production quality.

 

What challenges do you face as a director in Kannywood?

Budgets are often limited, and resources can be scarce. But the biggest challenge is sometimes societal misunderstanding of what we do as filmmakers. People forget that film is also an art form and a tool for change, not just entertainment.

Can you tell us your favourite project

Every project has its own special memory, but I’m proudest when a film sparks conversation or impacts people’s lives. For example, one of my recent films about youth unemployment led to community discussions and even small initiatives to help young people. That’s when I feel film is doing its job.

What advice would you give to aspiring directors?

Learn the craft—don’t rush. Watch films, study scripts, spend time on set even if it’s just to observe. Most importantly, stay humble and focused. Filmmaking is about patience, teamwork, and vision.

What should audiences expect from your upcoming projects?

Expect more powerful stories rooted in our culture, with better technical quality. I’m working on projects that tackle real societal issues, and I believe they’ll resonate with audiences not just in Arewa, but globally.

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Features

Antenatal Care: Why some women misses several sessions

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By Aisha Muhammad Rabiu

 

In many parts of Northern Nigeria, antenatal care is a vital step in ensuring the health of both mother and the unborn child. Yet, an increasing number of women are neglecting this crucial stage of pregnancy, putting themselves and their babies at serious risk, hence the high infant, mother mortality rate.

 

Health experts have been warning that antenatal visits help detect pregnancy complications at its early stage, provide essential supplements for healthy mother/child development, and educate mothers on safe delivery practices. But for some women, they find antenatal care as a burden either due to poverty or lack of awareness based on cultural practices and beliefs. As such antenatal remains a neglected priority.

 

 

In Kadawa, Fatima Sani, a 28-year-old expectant mother, admits she has not attended a single session of antenatal since the start of her pregnancy. she said “It’s not that I don’t want to go, but the clinic is far from my house, and my husband says we should save the transport money for delivery day. I just pray Allah protects me and my baby.”

 

From Dan Bare, Shago Tara precisely, Khairat a mother of 4 shares her reasons for not attending antenatal session even though she is fully aware that the session is very important to pregnant women. She said “I feel healthy, so I don’t see the need to go for antenatal. My mother gave birth to all her children at home without any clinic visits, and they all survived.”

 

In Rijiyar Zaki, Hadiza Mukhtar recalls her previous pregnancy, where she skipped antenatal visits entirely. “The nurses were rude to me when I first went. I decided I would not return. This pregnancy, I haven’t gone at all,” she confesses.

 

For Usaina Muhammad of Kurna, the problem is financial. “I can’t afford the registration fee, and I also have other children to feed. I know antenatal is important, but survival comes first.”

 

Meanwhile, Maryam Lawan of Layi Kaji reveals that misinformation has influenced her decision. “Someone told me that the iron tablets they give at the clinic make the babies grow too big, making delivery harder. So, I decided to avoid it altogether.”

 

Medical professionals emphasize that skipping antenatal care increases the risk of complications such as anemia, high blood pressure, infections, and even maternal or infant death. Dr. Ibrahim Musa, a gynecologist in Kano, warns: “We see many emergencies that could have been avoided if the mother had attended antenatal. Most of these cases arrive late, making it harder for the doctors to save lives.”

 

Experts and community leaders agree that raising awareness is key in addressing the matter. Antenatal care should be made more affordable, accessible, and culturally acceptable for all women. Religious leaders, health workers, and family members all have a role to play in encouraging expectant mothers to attend regular check-ups.

 

Neglecting antenatal care is not just a personal choice; it’s a public health concern that affects families, communities, and the future of the nation. Ensuring that every mother has the knowledge, resources, and support to seek antenatal care is a step toward a healthier society.

 

Aisha Muhammad Rabiu writes from Bayero University Kano (BUK) and she can be reached at Email: aishatama2020@gmail.com

Phone no.08084273341

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Rano’s Peaceful Legacy: More Than a Slogan, One Tragedy Won’t Define Us

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For decades, Rano Garin Autan Bawo has proudly stood as a symbol of peace and harmony in Kano State. It is a place where neighbors look out for one another, where disputes are settled through dialogue, and where diversity is met with respect—not resentment. In Rano, peace is not just a slogan—it is a way of life passed down through generations.

The tragic incident that recently occurred at the Divisional Police Station in Rano Local Government has deeply shaken our community. Known for generations as one of the most peaceful and united areas in Nigeria, Rano now faces the painful reality of an attack that led to the death of a Divisional Police Officer and the destruction of police property. This senseless act of violence goes against everything our community stands for and must not be seen as a reflection of who we are.

Rano has long been recognized for its peaceful spirit, tolerance, and respect for all. People from different backgrounds, religions, and cultures have lived side by side here in harmony. This didn’t happen by chance—it is the result of years of effort by our leaders, religious figures, and ordinary citizens who believe that our strength lies in our unity and diversity.

Our respect for law and order is deep-rooted. We understand the crucial role that security personnel play in keeping our community safe. The people of Rano have always appreciated the risks and sacrifices made by the police, military, and other agencies to protect lives and property.

Respect for the law here is not just about obeying rules—it’s about a shared belief in justice, fairness, and solving problems peacefully and legally. This belief has helped build a respectful and cooperative relationship between the police and the people.

What happened at the police station is completely out of character for our community. The individuals who carried out this attack do not represent us. Their actions go against the values that have shaped Rano. We strongly condemn what they did and make it clear that their behavior does not reflect who we are.

The loss of the Divisional Police Officer is not just a blow to the Nigeria Police Force or the Kano State Police Command—it is a loss for all of us. He wasn’t just doing his job; he was part of our extended family. His death is an attack on the peace and security that we all hold dear.

We send our deepest condolences to his family. No words can ease the pain of losing a loved one in such a brutal way. Our thoughts are also with his colleagues in the police force, who have lost a brother and a friend.

We also stand with the Kano State Police Command and the Nigeria Police Force as they face this heartbreaking loss. We understand how much this affects their morale, especially at a time when their work is more important than ever.

Destroying police buildings and equipment is not just an attack on law enforcement—it’s an attack on the very system that helps keep us safe. These facilities belong to the people and serve the entire community. Damaging them harms everyone, especially the most vulnerable among us.

We urge the government and relevant authorities to investigate this incident fully and fairly. Those responsible must be held accountable. Justice must be swift and uncompromised. Our community deserves to see the law upheld and the wrongdoers brought to book.

To our young people—the future of Rano—we ask for calm and reflection. We know that you may be frustrated or angry about many issues. But violence is never the answer. Taking the law into your own hands only brings more pain and setbacks for everyone.

Instead, we encourage our youth to focus on positive, constructive paths. There are peaceful, legal ways to raise your voices and push for change. Use those channels. Help move our community forward.

Rano must now focus on healing, rebuilding trust, and recommitting to the peaceful values that have always defined us. We must come together—young and old, leaders and citizens—to ensure that such violence never happens again.

We call on traditional leaders, religious figures, community elders, youth leaders, and all residents to stand united in promoting peace and respect for the law. Let’s strengthen our partnership with security agencies and support their efforts to keep us safe, while also holding them accountable to serve with respect and dignity.

How we respond to this tragedy will shape our future. Let us choose unity over division, peace over violence, and hope over despair. The actions of a few will not define us. We will protect the legacy of peace that Rano is known for and continue working together for a better tomorrow.

Buhari Abba wrote this piece from Unguwar Liman Rano.

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