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<p>Kabiru Haruna Isa</p><div class="pjBexwJ7" style="clear:both;float:left;width:100%;margin:0 0 20px 0;"><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>

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<p>“Heritage is our collective treasure, given to us and ours to bequeath to our children”. Margaret MacMillan</p>
<p>History is made by both great and ordinary people in the society. The ordinary people can transform and propel themselves into the position of greatness by doing ordinary thing in a great way. The cultural heritage in form of monuments, relics, artefacts and paintings were mostly constructed and produced by the labour of ordinary people often based on the directive/guidance of leaders of the society. Each society has a number of structures that it identifies and reveres as its heritage which are bequeathed from one generation to another. These monuments and structures connect current generations with their ancestors. They help reenact the past and instill the sense of pride, glory and dignity. Heritage and monuments have power to make impact on the economies and revenue generations of many<br />
countries. Therefore, heritage can be seen as an economic unit or firm that provides certain<br />
services to visitors in return for payment. Substantial amount of money is spent when<br />
visiting monuments both in terms of entry fees to museums, shops and restaurants’ bills, as well as other logistics &#8211; hotel/guest house. The visitors have strong effects on local economies.</p>
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The importance of heritage makes advanced countries and civilizations to jealously preserve and conserve them for the younger generations to appreciate and learn from them. Canada, as one of the most civilized and developed countries in the world, established a Department of Canadian Heritage in 1993 ostensibly to promote and support national identity and values, cultural development and heritage. This should serve as a lesson to less technologically advanced societies in Africa and other parts of the globe.</p>
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<p>Kano is an ancient city, whose tangible and intangible history attracts attention of researchers and scholars both within and without Africa to investigate and reconstruct its fascinating past. One of the material and tangible histories of Kano is the ganuwa (the city-wall), which encircled, fortified, enclosed, beautified and decorated ancient human settlements including the historic Gidan Rumfa (Emir’s Palace). According to many historical sources, the construction of the city-wall started in the 12th century during the reign of Sarki Gijimasu (c. 1095 -1134) and continued in the subsequent centuries up to the completion level. The wall served as a defensive mechanism and fortification to the city and its growing population, burgeoning economy and culture. It has more than a dozen gates and is about 24 kilometres long, 40 feet wide and at the base, and 30 to 50 feet high. The wall had been in existence for over 800 years and the successive leaders, both traditional and political, helped in its preservation and conservation because, to use Macmillan words, it is our collective treasure given to us and ours to bequeath to the generations yet unborn. But alas, the wall is now facing extinction in the 21st century due to illegal encroachment, mind-boggling plundering and atrocious destruction.</p>
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<p>As a student of history and patriotic son of Kano, I have a responsibility to remind my fellow citizens, especially those who are accomplices, as the constructors of the wall made good history, which makes us to celebrate them, they are conversely making another history of destroying and expropriating our collective heritage.</p>
<p>The city wall symbolizes our identity, cultural artefact, civilization and material history, which earns our society’s respect. The wall, coupled with other historic sites, attract tourists from different continents who patronize local economy and entrepreneurs in our various markets such as Kurmi, Kwari, Sabon Gari and the likes. The existence of the wall gives protection to polluted, yet environmentally functional, ponds, which recharge city’s table water and aquifers and contribute in averting water scarcity. In recent years, Kano city has been experiencing unprecedented floods occasioned mostly by the destruction of the wall and conversion of ponds into settlements. In addition, the destruction and conversion of the wall into commercial plots deprive the city of its open space, which serves as a place for recreation and sports to ever exploding youth population.</p>
<p>At this juncture, I will conclude with a submission that our traditional rulers, whose ancestors built the wall, Kano elders, environmentalists/environmental activists, UNESCO, National Commission for Museums and Monuments and intellectuals have significant role to play in saving the monument from the ‘spectacular demolition’ and imminent extinction.</p>
<p>Finally, I exhort the authority concerned to immediately stop the ongoing destruction of the wall in order to preserve our history and identity and, more importantly, to protect our settlements from seasonal flood. I will close with the words of wisdom of Wendell Phillips, “the heritage of the past is the seed that brings forth the harvest of the future”.</p>
<p>Kabiru writes from the Department of History, Bayero University Kano</p>
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